“His work features extraordinary textural inventiveness and imagistic strength, drawing on deep visual sensitivity to the graphic form and its power to provoke an emotional response.” I sense a lesson from film aesthetics – in the late 20th C – the touch of French and Czech examples (like Vera Chytilova) – somewhere behind the composition. His sensitivity to the power of the viewing angle, how it lifts a fragment to become a whole, is remarkable.

Slavka Sverakova, Northern Ireland (2023)