“His work features extraordinary textural inventiveness and imagistic strength, drawing on deep visual sensitivity to the graphic form and its power to provoke an emotional response.” I sense a lesson from film aesthetics – in the late 20th C – the touch of French and Czech examples (like Vera Chytilova) – somewhere

(…) Tomasz Kukawski’s linocut “Isolation No. 6/9” (2020) is perhaps the work with the most literal reference to the COVID-19 pandemic. “Isolation No. 6/9” depicts a grid like mesh embedded with source code, digital DNA and a faded face with a single well defined eye, the only legible text “Kwarantanna

TOMASZ KUKAWSKI’S mixed media works drip with mystery & are imbued with a subtle, haunting quality that catapult geometric elements to an entirely different level, lending them a serene, meditative quality. Polish artist Tomasz Kukawski’s dynamic works invite the eye to peruse fine details, keeping themselves open for interpretation and

The line duet, force relations between surfaces, angles, and planes, the warp of the image, all serve a special vision in the work named “Print Box I – Joy and Chasm”, a woodcut/embossing, belonging to the first prize winner Tomasz Kukawski from Poland. Inspired by the album of well-known Joy

(…) I am particularly impressed by the works of the Grand Prix winner – Tomasz Kukawski. Admiring them, I was astonished to discover that there still exists a person able to surprise me with such an original idea and its perfect realization. It was as if this artist had rediscovered

Longing for space. It would be a bluff if I tried to take in the company, making them believe I know this game, just to use the opportunity I have and play my cards. Well, it isn’t quite that way. And you should not expect me to have any experience